THE SOUND OF THE SWAMPS

LE CLOU’s “Cajun Swamp Groove“ is a powerful brew of Cajun Music, Zydeco, creole grooves and southern states rhythm & blues… together with a strong dose of French spice.

 

 

SOUTHERN STATES – HUMID HEAT AND GENTLE SPIRIT


While the accordion and fiddle lend wings to the smoky vocals, drums and bass pump up the rhythm of the songs from below and slide guitar and saxophone effortlessly inject the real deep South feeling. The band on stage is up and cooking, setting the room alight with musical fireworks.

 

LAISSEZ LES BONS TEMPS ROULER (“Let the good times roll“)

 

LE CLOU

MICHEL DAVID
MICHEL DAVID
vocals, guitar, fiddle, frottoir

When I was six years old I decided to punish the fiddle and my voicebox instead of the poor piano. I tried and tried to teach them "Ave Maria" and Schubert's "The Trout" until I was fourteen.  I spent my teens in Paris where I used my mother's hatboxes for drums and listened to The Shadows all day long; my love for music was never greater than at that time.  Drumming finally gave me the chance to play with a few big names on stage and opened the door to my life as a musician.

 
JOHANNES EPREMIAN
JOHANNES EPREMIAN
vocals, fiddle, guitar, dobro, electric guitar

I was born in Freiburg, a beautiful town in the Black Forest. My father is Armenian and comes from Cairo/Egypt and my mother is German. When I was a child, my identity card carried the words "nationality undefined".  Both my parents are classical musicians and they were my first musical influences. We kids would talk to Dad in French and to Mom in German. From the age of four I took classical violin lessons and it was much later that I realised I could read and even write music before I could read normal writing. I found my second instrument, the guitar, when I was fifteen and I loved English guitar players like Bert Jansch or John Renbourn as well as the American slide virtuosos David Lindley and Ry Cooder. I spent two wonderful years "training" to be a pro-musician, on the stage and in studios, with the English singer/songwriter Ray Austin and then my love for the Cajun music and culture of Louisiana took over and has, for many years, been the heart of my work as a musician. I travel, as often as possible, to the Mississippi where I meet friends to play music with and to learn as much as I can.

 
YVES GUEIT
YVES GUEIT
vocals, cajun-accordion, flutes, saxophone, clarinet

Music came into my life when I was six years old when my parents registered me for school I asked them to get me into the Toulon School of Music. My grandmother, who played the violin, helped me develope an ear for the finer points of music and today her old violin has a special place of honor in our home. Thanks to my love for wind instruments I got into playing the clarinet and then I taught myself the saxophone and flute. It was these two instruments that got me into folk and blues at the start of the seventies. 1971 was the decisive year for LE CLOU: that's when I met Michel David and we laid the foundation stone for the Band.

 
GERO GELLERT

GERO GELLERT
basse
RALPH SCHLÄGER

RALPH SCHLÄGER
drums